FHC Sections 1-10
Freshman Honors Colloquium Sections 1-10 (Descriptions Below)
| Subj | Course# | Section | Instructor | Meeting Days | Times |
| HONR | 10197 | 001 | Brodsky, Adam H | T R | 07:45 am - 09:00 am |
| HONR | 10197 | 002 | Smith, Jeanne R | T R | 12:30 pm - 01:45 pm |
| HONR | 10197 | 003 | Van Ittersum, Derek | T R | 09:15 am - 10:30 am |
| HONR | 10197 | 004 | Remley, Dirk D | T R | 09:15 am - 10:30 am |
| HONR | 10197 | 005 | French, Danielle F | T R | 07:45 am - 09:00 am |
| HONR | 10197 | 006 | Raabe, Wesley | T R | 11:00 am - 12:15 pm |
| HONR | 10197 | 007 | Winter, James P | T R | 11:00 am - 12:15 pm |
| HONR | 10197 | 008 | Mbaye, Babacar | T R | 02:15 pm - 03:30 pm |
| HONR | 10197 | 009 | Swick-Higgins, Chelsea R | T R | 11:00 am - 12:15 pm |
| HONR | 10197 | 010 | Vogel, Lauren A | M W F | 12:05 pm - 12:55 pm |
HONR 10197 001 Brodsky, Adam H
How Media Works
Everyone is influenced by media, so it is important to know how media works to deliver meaning and extend human experience and understanding. This colloquium will explore the nature of media and focus on entertainment and informational media types with an emphasis on film, music, and art. We will view, listen to, read about, experience, analyze, write about, and critique popular media to recognize patterns, both contemporary and historic, in its design, mechanics, aesthetics, and effects.
Expect several types of essays, projects, presentations, and group activities. The core texts are listed below. This colloquium will invest time directly experiencing creative works of cinema, art, and music.
Texts for Fall:
- Understanding Media: The Extensions of Man
- The Anatomy of Film
Texts for Spring:
- How Music Works
- What Are You Looking At?
HONR 10197 002 Smith, Jeanne R
Help Yourself! Scholarly Perspectives on Thriving in College
For as long as people have been writing, they have given each other advice on how to improve the experience of living and how to succeed. Today, self-help is a profitable genre and one of the most popular among younger adults. Our Colloquium will investigate current ideas about self-care and self-improvement as they relate to the lives of college students. In semester 1, you will choose one book-length piece of popular nonfiction covering an area within the genre. In a series of oral presentations, you will share the main concepts in your text and facilitate class discussions on how these ideas apply to college students specifically. We will analyze the arguments and evidence used in these texts, try out some of the ideas in our lives, and question them. We will begin comparing popular and scholarly treatments of ideas from our discussions. At the end of the first semester, you will develop a question potentially suitable for original research during the second semester. In semester 2, you will design an original research project examining an important concept from our first semester discussions. You gather appropriate data, analyze it, and present your conclusions in academic genres. The Colloquium will present you with opportunities to continue your research.
Texts:
- The Happy High Achiever: 8 Essentials to Overcome Anxiety, Manage Stress, and Energize Yourself for Success – Without Losing Your Edge. Mary E. Anderson, 2024.
- The Mindful College Student: How to Succeed, Boost Well-Being, and Build the Life You Want at University and Beyond. Eric B. Loucks, 2022.
- Mindset Matters: Developing Mental Agility and Resilience to Thrive in Uncertainty. Gemma Leigh Roberts. 20022.
- Never Enough: When Achievement Culture Becomes Toxic – and What We Can Do about It. Jennifer Breheny Wallace, 2023.
HONR 10197 003 Van Ittersum, Derek
Many students enrolling at KSU this year have spent more than 10 years in schools of some kind, while others may be learning in an official school context for the first time. How does schooling shape one's approach to learning? What does learning look like in a school vs. outside a school? Critics of schooling talk about the "hidden curriculum," a program of study that happens in the background of every course and trains students to stifle their curiosity, prioritize obedience over creativity, and focus on evaluation rather than enjoyment or meaning, among other things. This hidden curriculum shapes students' learning in profound ways, they argue, and differs tremendously from learning outside of schools. However, there are many different contexts for learning outside of school--not all of them are idealistic self-directed explorations. People learn through apprenticeships, through coaching, and on the job. How do these contexts shape learning and learners? What about remote schooling, homeschooling, or unschooling?
In the Fall semester, we'll investigate schooling, its effects, and then expand our focus to examine frameworks that shape the ways we learn, such as cognitive biases and mental models. Students will connect their own experiences with learning and schooling with larger conversations about these topics through writing, research, and class discussion. In the Spring semester, students will choose an ambitious learning challenge to document and complete over the course of the semester. This challenge will ask students to learn something new (maybe a skill like playing guitar, or improve a skill like writing short stories, or become expert in an area of content like nuclear physics) through methods and processes that they haven't used before. We'll be reading accounts from people who have similarly challenged themselves and writing our own accounts. By the end of the year, students should have a clearer picture of themselves as learners, an actionable understanding of how different approaches to learning suit them and their goals, and a familiarity with a variety of arguments and ideas about schooling and learning.
Texts:
- I Love Learning and I Hate School – Blum
- Range – Epstein
- Ultralearning – Young
HONR 10197 004 Remley, Dirk D
What makes someone a good leader? How can we critically reflect on others’ leadership skills toward understanding their effectiveness or weaknesses? How can we use these observations to assess and improve upon our own leadership skills? These are questions that will be addressed through this Colloquium section’s theme: Leadership Characteristics and Characters.
Students will engage with principles of leadership found in characters and plot from various works of literature and film. Through critical reading, thinking, discussions, research, analytical writing activities, and other projects, students will come to understand several attributes that affect leadership effectiveness in various contexts; these attributes include cultural and social phenomena as well as personal traits and situational factors. Students, also, will consider their own leadership abilities and how they may be able to improve those skills.
The Fall semester’s experience will focus on defining and critically assessing attributes that leaders demonstrate. The Spring semester’s experience will focus more on contextual factors that affect—positively or negatively—one’s ability to act on those attributes. The works listed below provide a sampling of those that we will use.
- Leadership: Essential Writings by Our Greatest Thinkers, by Elizabeth Samet
- The Secret Sharer, Joseph Conrad; film directed by John Brahm
- Antigone, Sophocles
- Major Barbara, George Bernard Shaw; film directed by Gabriel Pascal
- The Man in the Grey Flannel Suit (Film, adapted from novel by Sloan Wilson)
- To Kill a Mockingbird, Harper Lee; film directed by Robert Mulligan
- Lord of the Flies, William Golding; film directed by Peter Brook
- The Circle, Dave Eggers; film directed by James Ponsoldt
HONR 10197 005 French, Danielle F
Mainstream culture’s obsessionality with true crime dominates contemporary entertainment, social, and news media with thousands of podcasts, films, music, and endless literature dedicated to the topic, but this interest has been a mainstay in popular culture for centuries. Though used as a horror trope and easy plot device in both speculative and fantastical fiction, “madness” is often linked with criminality in unsettling ways. According to the National Institute of Mental Health (NIMH), “In 2022, there were an estimated 59.3 million adults aged 18 or older in the United States with AMI. This number represented 23.1% of all U.S. adults” (para. 5). Ranging from mild to severe in their impact, “young adults aged 18-25 years had the highest prevalence of AMI (36.2%)” (para. 5). The AMI for the 18-25 age group has increased 6.8% since 2019, indicating instances of AMI are steadily rising. This troubling connection of mental illness with intrinsic criminal or deviant behavior demands our consideration and critical inquiry.
In this course, students will delve into historical and contemporary iterations of madness and murder across mediums and genres. As even fiction is often based in reality, students will examine mental illness depicted in creative nonfiction, fiction, podcasts, music, and film and consider the many ways disorders of the mind are often misdiagnosed, untreated, stigmatized, and criminalized. How does media romanticize, fetishize, or essentialize madness and link mental illness to deviance or criminality? Students will reflect on historical and contemporary understandings of psychopathology, analyze course texts, and produce meaningful discussion and writing on madness, murder, and true crime.
Texts for Fall:
- Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde (1886)
- Franz Kafka’s The Trial (1925)
- Albert Camus’ The Stranger (1942)
- Ken Kesey’s One Flew Over the Cuckoo’s Nest (1962)
- Susannah Cahalan’s Brain on Fire (2012), and several films.
Spring texts will be elected entirely by past and present student votes from a curation of true crime books and media. Students will work with archival materials from the Borowitz Collection, housed in the Special Collections and Archives contribute to season five of our class podcast, Madness and Murder, and consider the ethical implications of true crime media production & consumption. Join listeners from over 40 states and 35 other countries by checking out our class podcast.
HONR 10197 006 Raabe, Wesley
Reading Novels: Jane Austen and Walter Scott
According to a recent poll (NPR/Ipsos, Feb. 2025), notable majorities of American adults believe that reading is a way to learn about the world and as a good way to relax. The survey also reports that historical and realistic/literary fiction continue to rival fantasy, science fiction, and romance, even as the proportion of persons who read for pleasure daily has declined in the U.S. over the past two decades (from 28% in 2004 to 16% in 2023, says a different study). If you hope during college to maintain some zest for pleasure reading, please join me in this colloquium, where for the fall semester we will read two British novelists widely considered as classics, Jane Austen and Walter Scott. Austen is a monumental presence in today's literary fiction, the earliest English-language novelist who maintains an enthusiastic popular readership, and Scott, who was immensely popular during the 19th C., is credited as the inventor of deeply researched historical fiction, a genre which also had a major influence on factually based historical narrative. In the fall semester, we will read two works by Austen, Northanger Abbey and Pride and Prejudice, and we will read two by Scott, Ivanhoe and Rob Roy. For the spring semester, students will be asked to decide whether to again select from Austen (Persuasion, Mansfield Park, or Sense and Sensibility?) and Scott (The Heart of Midlothian, Bride of Lammermore, or Kenilworth?), to instead select from their more radical Gothic and Romantic forerunners and contemporaries (Radcliffe, Godwin, Shelley, Brockden Brown), to select from 19th and 20th Century writers whose works reflect the deep influence of both (Brontë, Twain, etc.), or to explore the influence of Scott and Austen in more recent popular culture (men in tights, zombies, a miniseries—anyone?).
HONR 10197 007 Winter, James P
Norman Mailer, Pulitzer-Prize winning writer of The Naked and the Dead and The Executioner’s Song, describes “faction” as a hybrid of documented fact and novelistic elaboration, a definition that can extend to any literature that combines historical events, people, and places (including, let’s say, even movie characters) with the narrative exploration and analysis of poetry and fiction. In this course, you will create pieces of faction that focus on a specific historical event, person(s), or place and which will culminate in a final project, again of your choice, written as poetry, short fiction, creative nonfiction, or an academic research project.
During our time together, a variety of texts will give you insight as to how other writers create and develop faction in its literary forms. Through our smaller essay and research assignments, you will become familiarized with the academic writing process, namely pre-writing, drafting, editing, and APA citation, as well as various methods of online research. This is because at Kent State and in the Honors College, we’d like to not only prepare you for future courses, but for you to leave the class a thoughtful, critically insightful reader, writer, and communicator. As an instructor, I do not see you as just “students,” but smart people who can succeed as academic and community leaders at the university and beyond.
Required Course Materials:
Love and Hydrogen by Jim Shepard
The Donner Party by George Keithley
HONR 10197 008 Mbaye, Babacar
Folklore in American Literature and Culture
The trickster is one of the most iconic and pervasive figures in American literature and culture. It permeates American folktales, novels, and songs, and serves as a tool of resistance and expression. In this course, students will study the trickster’s influences on American folklore, literature, and music. During Fall 2026, they will examine selected American tales, legends, myths, and essays on American folklore and culture. During Spring 2027, they will explore the folklore and themes in key American literary texts and anthologies of blues, country, rock and roll, and rap songs. Also, students will read brief essays and watch documentary and film segments showing folkloric and other influences on American literature, music, and culture.
Texts for Fall:
David Leeming & Jack Page. Myths, Legends, and Folktales of America: An Anthology. 2000.
Frank de Caro. An Anthology of American Folktales & Legends. 2009.
Herman Melville. The Confidence Man. 1852.
Roger D. Abrahams. Deep Down in the Jungle: Negro Narrative Folklore from the Streets of Philadelphia. 1964.
Zora Neale Hurston. Mules and Men. 1935.
Texts for Spring:
L. Frank Baum. The Wonderful Wizard of Oz (illustrated first edition). 2019.
Gregory Maguire. Wicked Collector’s Edition: The Inspiration for the Major Motion Picture in a
Deluxe Edition with Green Sprayed Edges. 2024.
Eric Sackheim. The Blues Line: Blues Lyrics from Leadbelly to Muddy Waters. 2003.
Hal Leonard. LYRICS: Complete Lyrics for 1001 Songs, from Yesterday’s Favorites to Today’s Hits. 2006.
David Brackett. The Pop, Rock, and Soul Reader. 2020.
Adam Bradley. The Anthology of Rap. 2010.
HONR 10197 009 Swick-Higgins, Chelsea R
What does it mean to love? Is it what we read about in contemporary romance novels? Is it something else? In this section of Honors Colloquium, we will use bell hooks’ definition of what love is/is not to understand our society and how we relate to one another. This definition extends to our romantic, familial, and societal relationships. Using tropes from contemporary romance (e.g. forced proximity, enemies to lovers, second chance) to organize our units, we will explore how different loves shape our personal, professional, and societal lives.
Students can expect to participate in student-driven class discussion, compose critical essays of varying lengths, reflect on class readings and discussions through response essays, and create multimodal compositions. We will critically engage with theoretical texts to understand articles, novels, shorter literary work (short stories and poetry), and contemporary media (films, television, and multimodal compositions).
Texts for Fall:
- All About Love: New Visions by bell hooks
- Everything I Never Told You by Celeste Ng
- Crying in H Mart by Michelle Zauner
Texts for Spring:
- Fun Home: A Family Tragicomic by Alison Bechdel
- Olive Kitteridge by Elizabeth Strout
HONR 10197 010 Vogel, Lauren A
Learning How to Learn. Developing Critical Thinkers, Feelers, and Information Seekers
This course is designed to prepare student to be effective and engage citizens in a democratic society. To do that, students will build their information and critical literacy skills in order to locate, assess, and use information effectively and efficiently necessary for problem-solving and decision-making. This is necessary to “educate students by means of free, open, and rigorous intellectual inquiry to seek the truth”. This course will encourage you to read carefully, speak thoughtfully, and write lucidly.
Successful completion of this Colloquium will help you advance in the following areas:
- Critique social norms and biases and question issues of power
- Include multiple perspectives when interrogating and discussing any complex issue
- Analyze and synthesize a broad range of material
- Apply effective search strategies to locate and use high quality information and critically evaluate that information
- Acquire a strong sense of self and compassion for others
Texts:
- Refugee by Alan Gratz (2017)
- Kent State by Deborah Wiles (2020)