Instrumental Ensemble Auditions
Woodwind, Brass, and Percussion students:
If you wish to audition for bands/orchestra for Spring 2018, please download the excerpts and submit your contact information. Auditions are Jan. 14, 15 &16.
Please contact Dr. Jesse Leyva if you have questions or need any assistance with scheduling your audition at firstname.lastname@example.org.
NEW STRING STUDENTS:
IF YOU WISH TO AUDITION FOR ORCHESTRA, Please contact Dr. Jungho kim at email@example.com.
While these are very basic things, please keep in mind the following:
What to do
- Present a professional image (you get only one chance to make a first impression)
- Take control of the situation (plan what you are going to play and do)
- Dress for the occasion
- Be on time and warmed up
- Make sure your instrument and reeds are working properly
- Leave your case outside the room
- Have your instrument out and ready
- Introduce yourself and your repertoire
- Get the committee’s attention
- Speak clearly
- Look people in the eye
- Know correct pronunciations of composers and compositions
- Demonstrate your ability, facility, and sensitivity
- Communicate if you have a legitimate problem (long before the audition)
What Not to Do
- Do not wear shorts, jeans, hats, etc.
- Do not make excuses or apologies (for anything)
- Do not draw attention to problems (the committee may not notice)
What Not to Say
- I haven’t warmed up.
- I haven’t had a chance to practice.
- I didn’t know . . .
- I just got this horn.
- What should I play?
- What would you like to hear?
- I didn’t have my instrument/sticks/etc...
- I didn’t bring any music.
- Nobody told me . . .
- Give yourself plenty of time to do everything (i.e. get up early, have a leisurely meal, arrive early to the audition)
- Avoid over-practicing, which may cause nerve problems and fatigue
- Warm up well and practice audition material under tempo
- At the site, warm up alone and don’t listen to other players
- Play to your own standards; don’t try to guess how the committee would like something performed
- Take some risks; communicate the music’s message
- Maintain a positive appearance even if you do not think you played well
- Evaluate the audition experience